Come welcome the arrival of Fall on September 8, 2010 when World History (Seattle) and Yarn Forest (Denver) sanctify s00kr33m’s. Get invited – click here.
World History began in the winter of 2006, as a collection of songs written and recorded aboard several boats in Seattle, Washington. The project has since evolved into a laughing, stomping, yelping collaboration between Neil Campau and Jamie Menzel. They most often write songs about historical characters and events that are rarely talked about in compulsory school textbooks, and their lyrics provide hints of their anarchist anti-politics. Campau provides the majority of the vocals, alternately strumming his rusty autoharp and breaking guitar strings, while Menzel lends her soft vocals and intricate flute melodies, and from time to time, breaks something in a percussive fervor. Whether performing a raucous, triumphant historical retelling or a foot-stomping sing-along, World History continues to captivate audiences from living room to back porch.
-http://worldhistoryband.com/
World History – Shine
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World History – Mustafa Kemal Ataturk
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World History – You’re a Machine
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Yarn Forest, aka William Jiles, has a mesmerizing, ethereal sound that saturates the room. Its like magic and mist and moss and the occasional woodland fawn. In fact, I think his act could even pull off a fog machine (and I mean this as a compliment). Obviously, I encourage you to come and hear for yourself. But in the meantime, here are some nice tracks, below–!
Check out the song Syndication on Yarn Forest’ Myspace. It’s my new favorite song.
Yarn Forest – Stones
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Yarn Forest – Holy Grounds
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Yarn Forest – A String and a Bone
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World History began in the winter of 2006, as a collection of songs written and recorded aboard several boats in Seattle, Washington. The project has since evolved into a laughing, stomping, yelping collaboration between Neil Campau and Jamie Menzel. They most often write songs about historical characters and events that are rarely talked about in compulsory school textbooks, and their lyrics provide hints of their anarchist anti-politics. Campau provides the majority of the vocals, alternately strumming his rusty autoharp and breaking guitar strings, while Menzel lends her soft vocals and intricate flute melodies, and from time to time, breaks something in a percussive fervor. Whether performing a raucous, triumphant historical retelling or a foot-stomping sing-along, World History continues to captivate audiences from living room to back porch.





